About the Artist
Sarah creates abstract sculptural ceramics that defy definition, yet evoke ideas of the body, the land (or sea)scape, organic form. Highly tactile and often interactive, they may evoke a visceral response which is rewarded by careful viewing. In May this year Sarah exhibited as part of Collect Open, Collect Art Fair at Somerset House. She created a new body of work for the show, marking a step change in her practice, exploring as- semblages of ceramics with found objects and discarded materials, cele- brating the random and the unpredictable to find beauty in the overlooked and the left behind. Sarah’s influences are the physiology of the body and organic form. She revels in the expressivity of clay and exploits this to make suggestive, not quite identifiable objects which appear as if they might be real. She’s in- terested in the resonances and interconnectedness of form and texture across the natural and manmade world. She often makes pieces that are interactive with ‘listening tubes’, guitar wires, moveable parts, primitive whistles etc. Last year Sarah was awarded a "Developing Your Creative Practice" award from Arts Council England to further investigate materials and texture, different approaches to display and the subtle uses of sound in her work. This year her activity has been based around these investigations. Recently elected to the Royal Society of Sculptors, Sarah creates sensuous, tactile and intriguing vessels and abstract sculptures. Each piece is individually handmade using techniques of slabbing, press-moulding and pinching. The "Small Works" range celebrates form and a kind of pared back minimalism, whilst the Sculpture is more unruly - visceral, textured, robust, fragile. Capturing the essence of the organic, as if formed by nature, and not by human hand. Sarah is also an accredited RD1st Coach for Visual Artists, currently running voluntary sessions to gain experience. She can also be found delivering workshops, mentoring or chairing the Artist Panel for Sheffield's Making Ways programme of Visual Arts development. At the end of 2018 Sarah set up, with colleague Gillian Brent, a women's sculpture collective "Material Voice." We are a peer mentoring group who aim to support and encourage each other and to exhibit together. Please see www.materialvoice.com for more information. When not working she can be found making noise with the Sheffield-based avant-garde anti-choir Juxtavoices http://discus-music.co.uk/juxtavoices# or out swimming in the wild. More info here: https://www.ourfaveplaces.co.uk/meet-the-locals/sarah-villeneau/ |
Comments
Ian Caldwell, Architect/Writer "Sarah Villeneau’s lifelike ceramics are positively spooky within the decaying atmosphere of the Bargehouse" www.ianthearchitect.org/the-future-of-crafts/
James Beighton, Curator: https://www.instagram.com/p/BmK-yAhge8k/?taken-by=jamesbeighton
John Chambers: "the delicate, the beautiful and the brutal"
Peter: "like Leonardo Da Vinci anatomy drawings"
Sarah Roffey: "very emotive and tactile, wonderful to see."
Hilary Cartmel, artist:
"I find that I am reminded of the sea shore when looking at these ceramic works by Sarah Villeneau, there is something of the crustacean world there, sea anemones and strange marine life, but they are also reminiscent of something visceral, something mammalian and internal, this is as much to do with the colour as with the form… and then there is also humour, and this is what lifts them completely into their own sphere. They sprout awkward dumpy legs and the on looker is ready for ‘it’ to turn and scamper off."
Ian Caldwell, Architect on Craft at Top Drawer 2016 :
"It is the crafts that really shine this year with artists such as [Stephan Farnan with his “Captured Memories”, Helania Sharpley with her wireworks, Damien Borowik with his exquisite drawings and] Lynda Gault and Sarah Villeneau with their beautiful ceramics."
James Beighton, Curator: https://www.instagram.com/p/BmK-yAhge8k/?taken-by=jamesbeighton
John Chambers: "the delicate, the beautiful and the brutal"
Peter: "like Leonardo Da Vinci anatomy drawings"
Sarah Roffey: "very emotive and tactile, wonderful to see."
Hilary Cartmel, artist:
"I find that I am reminded of the sea shore when looking at these ceramic works by Sarah Villeneau, there is something of the crustacean world there, sea anemones and strange marine life, but they are also reminiscent of something visceral, something mammalian and internal, this is as much to do with the colour as with the form… and then there is also humour, and this is what lifts them completely into their own sphere. They sprout awkward dumpy legs and the on looker is ready for ‘it’ to turn and scamper off."
Ian Caldwell, Architect on Craft at Top Drawer 2016 :
"It is the crafts that really shine this year with artists such as [Stephan Farnan with his “Captured Memories”, Helania Sharpley with her wireworks, Damien Borowik with his exquisite drawings and] Lynda Gault and Sarah Villeneau with their beautiful ceramics."
Curriculum Vitae
Exhibitions
Potfest by the Lake, Compton Verney, June 2023 Collect Open, Collect Art Fair, Somerset House, London 2023 Sculpture Lounge Summer Show, Holmfirth, June/July 2022 Potfest at Glynde Place, May 2022/23 Oxford Ceramics Fair, Craft Potters Association, October 2021/2022/2023 York Ceramics Fair, Craft Potters Association, York, September 2021 Royal Society of Sculptors Summer Show, London, 2021 Ceramics, Waterperry Gardens, Oxford, 2023 Potfest by the Lake, Compton Verney, 2023 67 York Street, London Group exhibition during London Craft Week, 2023 Collect Open, Collect Art Fair, Somerset House, London 2023 International Ceramic Arts Festival, Sasama, Japan Autumn 2019 What is the Matter: Materials, Commodities, Narratives, Kelham Island Museum, Sheffield Autumn 2019 London Craft Week with Design Nation at Bargehouse, May 2019 Vessel, Northern Potters exhibition at Cupola Gallery, May - June 2019 Confluence, Herrick Gallery, Mayfair, October 2018 RAW, Omega Studio, St Leonards on Sea, October 2018 Art in the Pen, Skipton, August 2018 Potfest in the Park, Hutton-in-the-Forest, Cumbria, July 2018 Hepworth Ceramics Fair, The Hepworth, Wakefield, May 2018 Rebel Daughters, The Point, darts, Doncaster Jan to April 2018 Handmade in Chelsea, London, November 2018 Kunsthuis Gallery, Crayke, November 2107 - February 2018 Melbourne Art and Architecture Trail, September 2018 Art in the Pen, Skipton, August, 2018 Potfest in the Park, Hutton in the Forest, July 2018 Crafts, Top Drawer, Trade Fair, Olympia, London 2017 Discerning Eye, Pall Mall Gallery, London, November 2016 Handmade in Britain, Chesea, November 2016 Innovations in Ceramic Art, Cambridge, November 2016 Art Market York, York, September 2016 Ceramics in the City, London, September 2016 Ceramic Wales, Wrexham, September 2016 Art in the Pen, Skipton, August 2016 Landmarks, Water Street Gallery, Todmorden, July - October 2016 Shaped from the Earth, Millennium Gallery, Sheffield, June - October 2016 Solo Show, The Art House, Sheffield, February - March 2016 The Beast Within, Exchange Place Studios, Sheffield, May 2016 Top Drawer, Olympia, London, selected, January 2016 Presents/Presence, Cupola Gallery, Sheffield, selected, Christmas 2015 Innovations in Ceramic Art, Cambridge, selected, October 2015 Ceramics in the City, London, selected, September 2015 Earth and Fire, Rufford, selected, One year on shared stall, June 2015 Unseen, Unsung, Church View, Doncaster, Joint exhibition with painter Jayne Cooper, July 2015 Curated by the artists. Unpacking a Potted History, Doncaster Museum and Art Gallery, Summer 2015 Curated by myself and colleague Adele Howitt. (Creative People and Places, Arts Council funding) 3 @ 11, Studio Eleven, Hull Joint exhibition, painting and sculpture, May – June 2015 Curated by the artists. Ceramics in the City, London, selected, September 2014 Earth and Fire (student stand/NPA) Rufford, selected, June 2012/13/14 The Discerning Eye, The Mall Gallery, London, selected exhibition, November 2013 Cupola Gallery, Sheffield, selected exhibition, Christmas 2013 Studio Eleven, Northern Potters Association selected Exhibition, October 2012 Yorkshire Artspace, Sheffield, PW10, selected exhibition, November 2011 Sadirac Ceramics Festival, Bergerac, France, June 2010 Northern Potters, Thoresby Gallery, Thoresby, July 2010 Earth and Fire, NPA, Rufford, selected, June 2010 Studio Pottery Exhibition, British Ceramics Biennial, Stoke-on-Trent, Autumn 2009 Sculpture Exhibition, Harlequin Gallery, Greenwich, London, selected, June 2008 “Eight”, Collaborative Exhibition, The Workstation, Sheffield, 2006 Northern Fire 1 and Northern Fire 2, Oxo Tower Gallery, London, 2005/2007 Galleries Gallery 6, 6 Stodman St, Newark NG24 1AN Fitch and Fellows, 18 Butter Market, Thame OX9 3EP https://freeformsnyc.com/Upper Nyack, NY, USA |
Education
2012 – 2014 MA Studio Ceramics p/t, Loughborough University 1997 – MA Art and Design, Leeds Metropolitan University, Leeds 1992 – Diploma of Higher Education, Art and Craft Studies –Coventry Polytechnic 1987 – Certificate in Ceramics – Sir John Cass School of Art, Whitechapel, London 1981 – BA Hons (Joint) English and French, Liverpool University Professional Affiliations Selected member of the Royal Society of Sculptors Selected member of Craft Potters Association Selected member of Artcan Selected member of Find a Maker |
Awards
London Potters Makers Award - 1st Runner-up DYCP Arts Council Award 2023 Doncaster Creates Award 2020 ACE Project Grant Material Voice Collective June 2019 DYCP Arts Council Award 2018 Making Ways Research and Development Award 2018 Your Creative Practice Award, Arts Council England, 2018 Sheffield Making Ways, R & D funding 2018 AN The Artist Information Company, Bursary for Visual Arts Coaching course 2018 Creative People and Places, Doncaster, 2013 Public commission Craft Pottery Charitable Trust £500 award for purchase of portable wheel ACE Grants for the Arts 2013 “The Art Market” collaboration Humber Learning Consortium 2012 Community Art workshops Scholarship Loughborough University School of the Arts 2012 ACE Grants for the Arts 2012 test-firing smokeless kiln NAN Futuristic Bursary 2011 International Artist collaboration ACE Grants for the Arts 2011 Kiln-buuilding Masterclass at ICS Hungary Humber Learning Consortium Grant 2009 community workshops ACE Research and Development Award, 2005 |
Professional Experience
2024 - Selected Artist in Residence, Spain Joya: arte + ecología / AiR 2023 - 2024 Sound Collaboration with Professor Adrain Moore, Electroacoustic Department, Sheffield University 1998 - ongoing Maker/Creative Practitioner /Workshop Leader/Trainer/Coach 2022 - Arts and Ecology Researcher, Symbiosis, Artbomb 2022 Doncaster 2020 - 2021 - “The Ground Beneath Our Feet” Lockdown project with Asylum Seekers funded by Doncaster Creates https://doncastercreates.org/Birdsong-Artist-Updates 2020 - Bags of Creativity Designer, IVE Lockdown project November 2018 - 2021- co-founder Material Voice collective of 7 Sheffield based female sculptors June 2018 - Accredited RD1st Coach for Visual Artists February 2018- Chair, Artist Panel, Making Ways, a three year project run by Sheffield Consortium to support artistic talent and leadership in the Visual Arts in Sheffield September 2016 - 2021 Associate Lecturer Ceramics (part time), Sheffield College, Sheffield Spring 2016 - Creative Practitioner Year of Making Heritage Lottery Fund working with women from deprived communities looking at Sheffield Heritage through ceramic making Autumn 2013 – Spring 2015 Commission Right Up Our Street, Unpacking a Potted History, Mexborough Summer 2013 – Summer 2015 “The Art Market” Artist collaboration Doncaster, ACE July 2012 – Moved studio to The Sow’s Ear, The Piggery, Doncaster 2012 – Founder and Creative Director Manor Stokes smokeless wood-firing group. Built a smokeless wood-fired kiln in Sheffield and managed a community wood-firing group 2011 – Network Co-ordinator/ Consultant Philosophical Enquiry in Schools 2009 ongoing Co-Founder and Creative Director Art of Interaction 2005 – 2011 Creative Practitioner/Agent, Creative Partnerships, South Yorkshire 2008 – Consultant, Arts Council Research into the arts in PRUs. 2006 – Moved studio to Persistence Works, Yorkshire Artspace, Sheffield 2005 – 2006 Artist in Residence, The Hill Primary School, Thurnscoe, Barnsley. 1998 ongoing – Mentor to newly qualified artists 1998 ongoing – Self-employed Ceramic Artist, Doncaster/Sheffield. 1998 ongoing – Freelance Workshop Leader in Visual Arts and Trainer 1997 – 2001 Lecturer (part-time), Doncaster College. Ceramics and Life-drawing. |